"On the Marble Cliffs (Auf den Marmorklippen) is a novella by Ernst Jünger published in 1939 describing the upheaval and ruin of a serene agricultural society. The peaceful and traditional people, located on the shores of a large bay, are surrounded by the rough pastoral folk in the surrounding hills, who feel increasing pressure from the unscrupulous and lowly followers of the dreaded head forester. The narrator and protagonist lives on the marble cliffs as a botanist with his brother Otho, his son Erio from a past relationship and Erio's grandmother Lampusa. The idyllic life is threatened by the erosion of values and traditions, losing its inner power. The head forester uses this opportunity to establish a new order based on dictatorial rule, large numbers of mindless followers and the use of violence, torture and murder"--,Provided by publisher., Now in a new translation, an imaginative, darkly radiant fable about a pair of brothers, formerly warriors, whose idyll is shattered by an encroaching fascistic force. Set in a world of its own, Ernst Jünger’s On the Marble Cliffs is both a mesmerizing work of fantasy and an allegory of the advent of fascism. The narrator of the book and his brother, Otho, live in an ancient house carved out of the great marble cliffs that overlook the Marina, a great and beautiful lake that is surrounded by a peaceable land of ancient cities and temples and flourishing vineyards. To the north of the cliffs are the grasslands of the Campagna, occupied by herders. North of that, the great forest begins. There the brutal Head Forester rules, abetted by the warrior bands of the Mauretanians. The brothers have seen all too much of war. Their youth was consumed in fighting. Now they have resolved to live quietly, studying botany, adding to their herbarium, consulting the books in their library, involving themselves in the timeless pursuit of knowledge. However, rumors of dark deeds begin to reach them in their sanctuary. Agents of the Head Forester are infiltrating the peaceful provinces he views with contempt, while peace itself, it seems, may only be a mask for heedlessness. Tess Lewis’s new translation of Jünger’s sinister fable of 1939 brings out all of this legendary book’s dark luster.